CADRE Comments

Introductory note from Jason Pratt: see here for the previous entry; and see here for the first entry of the series. (It explains what I'm doing, and how, and contains the Johannine prologue.) The Passing (The storytellers continue in harmony...) Now after they had finished mocking Him, they took off His purple robe and put His garments on Him, and led Him out to crucify. And He went out, bearing the cross for Himself. But as they were going out, they found a man of Kyrene named Simon--the father of Alexander and Rufus (adds the Follower for his audience, who apparently know the boys!)--coming in from the country. They pressed him into service to bear His cross, placing the cross on him to carry behind Jesus. [Plotnote: the Greek for 'cross' is 'stauros'--pole, or stake. The prisoner would not be required to bear a huge plus-sign-looking thing; it would weigh six hundred pounds easily. (Try going outside and lifting a huge limb of wood fallen from a tree during a ...

Introductory note from Jason Pratt: see here for the previous entry; and see here for the first entry of the series. (It explains what I'm doing, and how, and contains the Johannine prologue.) The plotnotes really kick into gear for this entry--in fact, there are more plotnotes than actual text! That will be true for the next entries, too, which deal with the trials. To help distinguish plotnotes from textual data, therefore, I will begin formatting the plotnotes as if they were blockquotes. The End Begins (All the storytellers join in harmony...) Jesus arrived on the Mount of Olives, as He usually did, and went into the groves with His disciples. And they are coming to a place called Geth Semanei. ('where the oil goes through': i.e., the olive press--now deserted on a night in spring when olives aren't in season.) Now He says to His disciples, "Sit here, while I go over there and pray." [Plotnote: placing them to watch for anyone coming up the three main pa...